Gernot Wieland has recently participated in „B“, Belmacz, London (2019); „Symposium on Humour and Absurdity“, Nida Art Colony, Lithuania (2019); the Instagram project „Daily Trumpet” (2019); Screening at PORTRAIT OF A PLANET ON THE VERGE OF CATASTROPHE, Hilbert Raum, Berlin (2019); 36th Short Film Festival, Hamburg (2019); „EMAF – European Media Art Festival“, Osnabrück (2019); Belmacz, London (solo, 2019); Vdrome, London (solo, 2019); „IFFR – International Film Festival Rotterdam“ (2019); „Monitoring – Exhibition for Time Based Media Art“, Kasseler Kunstverein, Kassel (2018); „Zeitspuren“, Centre d´art Pasquart, Biel/Bienne (2018), „Shame“, Künstlerhaus Bremen (2018); „The Ashtray Show West“, Belmacz, London (2018); OGR, Torino (2018); „res·o·nant“, Contribution to a Sound Installation, Jewish Museum Berlin (2018); „Ideal-Types“ at HE.RO, Amsterdam (2018); „Survival Kit 9“, LCCA – Latvian Centre for Contemporary Art, Riga (2017); „The Museum of Modern Comedy in Art – A Proposal“, Projects Art Centre, Dublin (2017); „MOSTYN Open 20“, Llandudno, Wales (2017); „9th Norwegian Sculpture Biennial“, Vigeland Museum, Oslo (2017); „33. International Short Film Festival“, Hamburg (2017); „con_text“, Lettrétage, Berlin (2017); „Body Luggage – Migration of Gestures“, Kunsthaus Graz, Graz (2016/17); „Histoires de l’Ile des Bienheureux“, Musée du chateau des ducs de Wurtemberg, Montbéliard (2016/17); „33. Kasseler Dokumentar, Film und Videofest“, Kassel (2016); „Hello, my name is…“…and…“Yes, I´m fine.“, Lumiar Cité, Lisbon (2016); „Random Walks“, Konsthall 44 Møn, Askeby (2016); the performance event „Puppet Slam“ for the exhibition Objects Do Things, CCA – Center for Contemporary Art, Warszaw (2016); a TED Talk for TEDxGhent, Ghent (2016); „Therapy for Drones“ at Salon Nomade, Kunstverein am Rosa-Luxemburg Platz, Berlin (2016); „Liberty Taken“, Bombay (2015); „Midsummer Night Scream“, De Appel arts centre, Amsterdam (2015); „No Bad Days“, Konstmuseum Kalmar, Kalmar (2015); „The reluctant narrator“, Museo Berardo, Lisbon (2015); „Figures of Conjunction“, Kunstverein Nürnberg, Nürnberg (2014); „Pecha Kucha: The Bet“, Kunst-Werke – Institute for Contemporary Art, Berlin (2013); „Videonale.14 – Festival for Contemporary Video Art“, Kunstmuseum Bonn (2013); „Nach Bonn – Eine Montage“, Kunstverein Bonn (2012); „An exhibition of a Study on Knowledge“, Forum Stadtpark, Graz (2012); boredom, Essays and Observations, Berlin (2012); Video_Dumbo, an exhibition of contemporary video art, New York  (2011); Wilhelm Reich/Ayn Rand, Essays and Observations, Berlin (2011); Hard for the money, European Media Art Festival, Osnabrück (2011); Touched, Liverpool Biennale, Liverpool (2010); 27. Kasseler Dokumentar- und Filmfestival, Kassel (2010); Éclats, CEAAC, Strasbourg (2010); Derridas Katze … que donc je suis (à suivre), Kunstraum Kreuzberg, Berlin (2010); All the rest is literature, House of Contamination, Artissima, Torino (2010); EASTinternational at Transmission Gallery, Glasgow; Baltic, Newcastle; Contemporary Art Norwich, Norwich (2009).


2019                                                                                                                                                                                                                                                                                                              EMAF Media Art Award of the German Film Critics (VDFK) at EMAF – European Media Art Festival, Osnabrück

Special Mention, 36th Short Film Festival, Hamburg


Artist in Residence, Cripta747, Turin

Artist in Residence, Superdeals, Brussels.


Winner of the 20th edition of the MOSTYN Open, selected by Lydia Yee (Chief Curator, Whitechapel Gallery), Chus Martínez (Curator and Head of the Institute of Art, FHNW Academy of Arts and Design, Basel), Alfredo Cramerotti (Director, MOSTYN) and Adam Carr (Visual Arts Programme Curator, MOSTYN).

Short list for the Best German Shortfilm in 2017.

Artistic Research Grant from Berlin City Administration for Culture.


Lecture on „Writing Art in Digital Space“ at SAR conference, Society for Artistic Research, Den Haag.

TED Talk Ghent at TEDXGhent on Depression in Animals.


Staatsstipendium for Video and Media, BKA, Arts Division of the Federal Chancellery of Austria.

Artist in Residence, ECAV en collaboration avec la Fondation Château Mercier, Sierre, Switzerland.

2011 – 2017

Lecturer at Fine Arts Departement/Foundation  Year, UdK – University of Fine Arts, Berlin.


Artist in Residence, Paliano, Italy by Kultur Niederösterreich.

Nomination for A38-­‐Scholarship by Kasseler Videofest und Werkleitz, 27. Kasseler Dokumentarfilm- und Filmfestival, Kassel


Artist in Residence, Rome, Italy, by BKA, Arts Division of the Federal Chancellery of Austria.


Artist in Residence, Schloss Sølyst, Denmark.


Artist in Residence, Custom House, Westport, Ireland by Kultur Niederösterreich.


Selected catalogues/Bibliography


Text by Jürgen Kiontke, Julia Gwendolyn Schneider und Morticia Zschiesche (Jury of the EMAF Media Art Award of the German Film Critics ) on „Ink in Milk“.


Kerstin Honeit on „Ink in Milk“ for „Monitoring – Exhibition for Time Based Media Art“, Kassel.

ArtReview vol 70 no 5 Summer 2018. „Gernot Wieland on the couch. Mark Rappolt on Gernot Wieland´s comically anxious work in film and performance. „

Art India, Vol XXII, Quarter II, 2018, Curation project von Zasha Colah.

taz, Jan-Paul Koopmann on the exhibition „Shame“, 16.07.2018.


„Survival Kit 9“ (catalogue)

Texts by Jonatan Habib Engqvist, Solvita Krese, Inga Lace, Yuval Noah Harari.

Published by LCCA – Latvian Centre for Contemporary Art.
Pranja Desai on „Body luggage“, Kunsthaus Graz, Austria. Artforum, Februar 2017.

Moira Barrett on „Ink in Milk“, published in, 2017.
„Body Luggage – Migration of Gestures“ (catalogue)

Texts by Nora Sternfeld, Zasha Colah and Desmond Kharmawphlang.
Published by Archive Books, Berlin

„Vom Anfangen“ (catalogue)
Published by Susanne Lorenz and Thomas Düllo. Published by Textem Verlag, Hamburg


frieze, issue 169, March 2015. Joana Neves on the exhibition „The reluctant narrator“, Museo Berardo, Lisbon.

„No Bad Days“ (catalogue)

Texts by Jonatan Habib Enqvist and Lars-Erik Hjertström Lappalainen.
Published by Kalmar Konstmuseum.

„The reluctant narrator, A survey of Narrative Practices across media“ (catalogue)

Text by Ana Teixeira Pinto (editor), Kerstin Stakemeier, Sladja Blazan, Erika Balsom.
Published by Sternberg Press.

„Éclats“ (catalogue)

Texts by Bettina Klein (editor), Lorraine Daston, Denis Leypold.

Published by CEEAC, Centre Européen d’Actions Artistiques Contemporaines.
Videonale.14 (catalogue). Text by Dr. Sabine Maria Schmidt. Published by Distanz Verlag.

„Hotavantgardehothot“ (catalogue). Texts and edited by Rivane Neuenschwander, Christiane Rekade. Published by AND publishing.
„Alles in Ordnung“, ed. by Ella Ziegler (catalogue)
Mousse # 28, Interview with Gigiotto del Vecchio
tsnoK, Lars-­Erik Hjertström Lappalainen on a work by Gernot Wieland. Published in

„Gradual Change! “ (catalogue)

Text by Lars-­‐Erik Hjertström Lappalainen. Published by Nordin Gallery, Stockholm.
„Zeigen“, an audio tour through Berlin (catalogue). Temporäre Kunsthalle, Berlin.

„EASTinternational“ (catalogue)

Text by Lynda Morris.
Published by Contemporary Art Norwich, Norwich.

„La petite histoire“ (catalogue)

Text by Gyonata Bonvicini. Published by Kunstraum Niederoesterreich, Wien.
„The Lost Moment“, ed. by Fatos Ustek.
„Klartext Berlin“ (catalogue)

Text by Luca Cerizza and Raimar Stange. Published by Kunstraum Niederoesterreich, Wien.
„2 km west, 1 km south, 100 m straight on“ (Solo catalogue)
Text by Patricia Grzonka.
„Gott sehen“ (catalogue)

Text by Dorothee Messmer.Published by Kunstmuseum Thurgau, Ittingen.
„Haunted by Detail“ (catalogue)

Text by Nikola Dietrich. Published by De Appel Foundation, Amsterdam.